How to Buy a Gun in Havana

First, never say the word gun.
           Or pistolero or buy.

Talk instead about platanos. And smile.
           You'll know the bodega;

it's the one in Los Sitios with the wooden
           parrot clipped to the wire on

the left side of the door. When the wind
           springs up off the sidewalk,

the parrot bobs slightly, banging its crimson
           head against the building's wooden slats.

Go inside. On the far wall above the shelves
           of candles and tilty stacks of shirts,

you'll see the blackboard. It's the
           same in every store: an inventory

of frijoles negros, arroz, and leche de coco,
           menued in white chalk. You will

scan the inventory for platanos, hoping
           they are in stock. You never know.

You will have brought with you
           a pouch of powdered milk. Inside

will be powdered milk and eight hundred
           fifty Euros. No dollars. No sterling.

The pouch will be glued shut. No tape. No
           staples. You will, as you do with

your wife, your children, your boss, barter.
           There is no baby formula in Cuba;

no cow's milk. You will hand over
           the pouch and ask for platanos.

It is said that at a similar bodega in Vedado,
           you look the man behind the counter

in the eye. But here, you are supposed to settle on
           the framed photo of the Catedral

de San Cristobal nailed to the wall above
           the shirts. The woman will place the

platanos in a plastic bag. You will take them.
           You will not say thank you.

No one knows the precise chain of events,
           not even you, because, as you are told,

you turn away. You will walk over to the shelves
           next to the old Coke cooler and ruffle

through Frisbees, pantyhose, and postcards of
           Che playing golf in Army fatigues.

By the time you are finished, your bag of
           platanos will feel heavy. At that point,

you walk out of the store, and out
           of Los Sitios, and make your way to

the Malecón, and you gaze at the lovers lounging
           on the wall and you stop

for mango ice, and you ask yourself,
           as you have done with everything

meaningful in your life, what happens now?

Reading Yeats's "The Second Coming" On January 1, 2001

To begin, to start out, to turn. To expand: to center and to throb.
To fall apart. To eat in the dark grammar. To spiral and to oh; to if.

To ask of the tantrum wind. To labor, to invoke bone, to anoint. To vex:
to wish, to want and to want. To will. To waste. To plug time's stoma.

To unfasten and to abandon. To erect: to shutter. To bleed. To unbuckle
the sprung sun. To plummet. To thigh. To saddle venom's gleam and to ride.

To limn or fringe. To regret the angel. To rivet. To say riddle, substrate, alter.
To rise the way bodies rise: to succumb: to chisel. To slit or suture; to slash.

To compress the ferric. To loose, to halo, to burn and congeal: to splinter.
To eat syntax in reverse, to limn wind's stoma, to saddle gleam, to ride venom.

To auger. To hear whelp, seraphim, imago. To leaden and live. To shiv, to sin.
To rend-to rip the gyre. To aport, to absess, to abseil. To apprehend.

To write born, Bethlehem, beast. To erase palm, coffin, corpse. To upend, to taper down.
To begin, to start out, to turn. To anoint bone, to rivet dark grammar. To slouch.

Self Portrait: blizzard